#e-Beige

ZINNIA WANG ART

TECHNOLOGYCURATION

CHOREOGRAPHY CRAFT COMPUTING PRACTICE CONVERGENCE COLLABORATION

This website functions as an online space to explore an ecological approach to curatorial practice, understanding an exhibition as a relational environment in which artworks, bodies, spaces, technologies, memories, and material traces continually shape one another.

My curatorial method has evolved over more than ten years of working with collections and museology and continues to adapt through hybridity as a methodology. This platform showcases my exhibition projects as continuous investigations into how curatorial stories can be experienced, engaged with, and developed through participation.

Welcome to my Curatorial Laboratory

\ The Feather of Ma'at
玛阿特的羽毛

\Maize Maze： Immortality Experiment
麦田迷宫：永生实验室

\PERCEPTION
知否

\Through the Garden Gate
穿过花园的门

CO-EXPERIMENTAL LAB 🧑‍🤝‍🧑

Zinnia
王曉蓉

Independent Researcher and Curator
PhD Candidate, University of Plymouth · MA, Goldsmiths, University of London
Researcher, Vagab(o/u)nds Research
Philosophy of Art and Technology · Philosophy of Curating
英国普利茅斯大学博士候选人｜Vagab(o/u)nds Research 研究员
艺术与技术哲学 · 策展哲学

Zinnia Xiaorong WANG 王曉蓉

CURATING AT THE EVER-EVOLVING INTERSECTION OF ART AND TECHNOLOGY

Zinnia Xiaorong WANG
王曉蓉