#e-Beige




ZINNIA WANG   ARTTECHNOLOGYCURATIONCHOREOGRAPHY CRAFT COMPUTING PRACTICE CONVERGENCE COLLABORATION


This website functions as an online space to explore an ecological approach to curatorial practice, understanding an exhibition as a relational environment in which artworks, bodies, spaces, technologies, memories, and material traces continually shape one another. 

My curatorial method has evolved over more than ten years of working with collections and museology and continues to adapt through hybridity as a methodology. This platform showcases my exhibition projects as continuous investigations into how curatorial stories can be experienced, engaged with, and developed through participation.



Welcome to my Curatorial Laboratory  




 
\ The Feather of Ma'at
玛阿特的羽毛

     
  \Maize Maze: Immortality Experiment
麦田迷宫:永生实验室


\PERCEPTION
知否


  \Through the Garden Gate
穿过花园的门




CO-EXPERIMENTAL  LAB  🧑‍🤝‍🧑







Zinnia
王曉蓉

Independent Researcher and Curator
PhD Candidate, University of Plymouth · MA, Goldsmiths, University of London
Researcher, Vagab(o/u)nds Research
Philosophy of Art and Technology · Philosophy of Curating
英国普利茅斯大学博士候选人|Vagab(o/u)nds Research 研究员
艺术与技术哲学 · 策展哲学




Maize Maze:Immortality Experiment 麦田迷宫:永生实验室



艺术家ARTISTS Wenxuan CHEN   陈文轩
Zhilu CHENG         程之璐
Yan FENG                冯    妍
Yunshan JIANG    姜蕴珊
Jinglu KONG          孔静露
Sia LI                         李茜雅
Lorie LU                   卢    艺
Rosie MING            明萌萌
ppuzzledd PAN     潘姿甸
Zheng QI                  祁    正
Annan SHAO          邵安南
Yuchen WANG       王宇晨
Chenxi XU                许晨茜
Xinye XU                   许馨烨
Ruby ZHAO             赵嵘均
Ran ZHOU               周     然

策展人CURATOR
王晓蓉  Zinnia WANG

助理策展人ASSISTANT CURATOR
谢蕊聪  Rc Teresa


技术支持:GC Metaverse
特别支持:ARTALL-UK

Copeland Gallery
UNIT 9, Copeland Park, 133 Copeland Rd, London






The exhibition Maize Maze: Immortality Experiment brings together reflections on technology by sixteen artists working across international contexts.The act of walking in Maize Maze becomes an initial way of engaging with the exhibition’s layered entanglements of technology, emotion, and embodiment. As we are drawn into digital information systems, we find ourselves continuously negotiating the ever-evolving standards that shape renewed modes of perception and interaction.The exhibition invites meaning to arise through movement and interaction with artworks across multiple media. From oil paintings inspired by 3D computer scanning to those tracing emotional flows between digital interfaces and the canvas, and from idealised bodies and virtual presences in VE spaces to code-based jewellery and metallic bread sculptures that reflect on the fundamental differences between human and machine labor, the artworks in this exhibition evoke a sense of disorientation and uncertainty in the post-digital age. As a whole, the experience of walking through the exhibition resembles moving through a labyrinth. By approaching contemporary art as as a means of recalibrating perception, the artists represented here expose how bodies and ways of seeing are adjusted and thereby challenging the stability of standards that govern visibility, presence, and value within post-digital systems. 


展览Maize Maze: Immortality Experiment汇集了十六位来自国际背景的艺术家对科技的思考。漫步于“玉米迷宫”之中,便成为体验展览中科技、情感与具身交织的初始方式。当我们被卷入数字信息系统时,我们发现自己不断地在不断演变的标准中周旋,这些标准塑造着我们感知和互动的新模式。展览邀请观众通过移动和与多种媒介的艺术作品互动来产生意义。从受3D计算机扫描启发的油画,到描绘数字界面与画布之间情感流动的作品;从虚拟空间中理想化的身体和虚拟存在,到反思人类劳动与机器劳动根本差异的代码珠宝和金属面包雕塑,本次展览中的艺术作品唤起了后数字时代一种迷失和不确定感。整体而言,漫步于展览之中,如同穿梭于迷宫之中。通过将当代艺术视为重新校准感知的一种手段,这里展出的艺术家们揭示了身体和观看方式是如何被调整,从而挑战了后数字系统中支配可见性、存在感和价值的标准稳定性。